HORATIO BRIGHT's FAMILY

In the Book "Lest We Forget" by Douglas Lamb, the author describes a visit he made to the Bright Mausoleum at Moscar, near Sheffield

"....the site is overgrown and derelict. There are two small buildings at the top of the hill, both of which are empty, together with a heap of rubble which may be the remains of a third building and five family gravestones set into the surface of a flat -topped, raised piece of ground plus many wind bent and stunted trees. Underfoot the ground is carpeted with weeds and lank grass. Even the iron gate, which is the only way in, is creaking with rust and disuse. It is altogether a desolate and God forsaken place - but whose God? "

I was contacted in the autumn of 2006 by someone who had additional information on the Mausoleum and Horatio's family.

"We do own Horatio Bright's mausoleum, it is set in a couple of acres of woodland he planted out in the 1850's at Moscar on the A57 Manchester Road. It is opposite Moscar Cottages and Moscar Lodge, and is the last bit of woodland on the left-hand side going away from Sheffield before the Moors and the Strines turn off. There is a gate next to the bus-stop. The Mausoleum was vandalised in 1982 and was bricked up, and the body's removed by the Council. It is no more than a shell now, we bought it in 1985,and have been restoring the wood ever since.
The bodies are in the Walkley Jewish Cemetery, and the lead coffins with glass windows are in the storerooms at Kelham Island."

The five family gravestones that are referred to by Douglas Lamb are

1     EMILY BELINDA BRIGHT, BORN 23rd JULY,1834, DIED 20th APRIL, 1885.

2.    EDMUND SAMPSON BRIGHT, DIED MARCH 23rd, 1848, AGED 16.

3.    FREDERICK BRIGHT, DIED JUNE 24th, 1898, AGED 70.

4.    HENRIETTA BRIGHT, DIED AUGUST 24th, 1863 , AGED 58.

5.    ESTELLA BRIGHT, DIED AUG. 20^th  1878.

    SELIM BRIGHT, HUSBAND OF THE ABOVE, DIED JAN. 8th 1891.

     AUGUSTUS BRIGHT, DIED NOV. 1st 1880 - .

     OCTAVIOUS BRIGHT, DIED 1892.

     SONS OF THE ABOVE

I found a brief notice of Estella's death in the Manchester Times dated 24th August 1878 which states

"BRIGHT - Estella Bright (nee de Lara) the beloved wife of Selim Bright of Buxton died 20th August 1878 aged 74 - Friends will please accept this intimation"

ESTELLA and SELIM BRIGHT were the parents of HORATIO. I was surprised to find out that the family had strong connections with both the Buxton and  Liverpool area. There is an excellent website that details the history of the Deane Road Cemetery in Liverpool which is the final resting place of many prominent nineteenth century Jewish businessmen and their families. A contributor to the excellent Deane Road Cemetery website focuses on the Bright family and in particular

In April 2008 I received the following information from someone who was researching their family history

"My great grandfather's name was Fromhold Neumann. He was born around 1850 in Germany, but I've had no luck tracing him back much further, although I do know from various certificates that his father Henry Adolph Neumann was a stipendiary magistrate (perhaps in Germany). Fromhold does not seem to appear on any 1881 Census returns - so may have still been in Germany at that time.
I had been wondering about Selim's business and really believe that my great grandfather may have worked for him/or with him in Buxton. Hence Fromhold's second son being born in 1885 at Cobar Rd  Fairfield. It had always been a mystery why Heinrich's birth certificate stated he was born in Buxton and not Birkenhead but when I discovered the Bright business in Fairfield I thought there had to be a work connection. Additionally, there is the
Liverpool connection for both Fromhold and Selim too. Perhaps they knew of each other prior to Fromhold moving to Buxton. Family history can be so
frustrating as you would very well know! Fromhold died in 1905, back in Birkenhead, and his death certificate gives his occupation as 'watchmaker journeyman'."

If anyone can add to this information please let me know
 

ISAAC BRIGHT (1762/3-1849) who was the grandfather of HORATIO and the father of SELIM

The article does put HORATIO BRIGHT's family in a wider historical context and is fascinating in that respect. The statement "They certainly formed part of the earliest community of Jews in Sheffield and possibly helped found the first synagogue there." is very interesting. Sheffield in 1801 had a population of about 60,000 but to be frank I did not know the demographic and ethnic composition of the population.

However, in February 2007 I received an e-mail from a researcher and descendent of the Bright family who drew my attention to the following article. It comes from a Jewish History website that charts the rise of Judaism in the provinces of the United Kingdom

"The story of the Jewish community of Sheffield provides a curious example of the tendency of nineteenth-century Anglo-Jewry to confuse its origins. In the Jewish Directory of 1874, the date of the foundation of the Great Synagogue there is given as 1850, which one would have imagined to be correct. On the other hand, Margoliouth states, very plausibly, that Jewish merchants visited this centre as early as the eighteenth century, and the Jewish Year Book indicates that the Synagogue was established in 1790 when (it is said) two brothers, Philip and Isaac Bright, settled there. There were indeed Jews in the city in 1827, when Alderman Solomon Cohen, later of Hull (brother of Dr. George Cohen, the first Jewish Coroner), was born there (J.C. 13.iii.1903). The group centred apparently about a certain Mr. Jacobs (son of Joseph Jacobs, of London, a founder of the New Synagogue), whose son used to recount (J.C. 24.viii.1900) how they were the only Jewish family when they first arrived in Sheffield in the eighteen-twenties. They had their synagogue in their house, and their own Shochet, Abraham Neugass, who was in their service for twenty-five or thirty years and used to supply Kosher meat also for the two Jewish families then living in Leeds.
 

According to A. A. Levy (followed as usual by Margoliouth) a permanent congregation was established only in 1838, mainly through the exertions of Messrs. Emanuel and Jacobs. (I am at a loss to reconcile this with the tradition that the synagogue's annual appeal on behalf of the local hospitals was instituted in 1828: though I must say that it is a tradition which impresses me as being of very recent origin, and based perhaps on faulty arithmetic). In 1842, the Synagogue was situated in Folly Street, and the burial ground in Boden Street. The reader was I.Levy, the President I. Ezekiel, and the Secretary was M. Emanuel*: and
there were ten Jewish families in the town. When Margoliouth wrote, in 1851, the number had doubled.
* He must have retired shortly after; in the Jewish Chronicle of 22.vii.47 the Congregation advertised for a Hazan-shochet; applications were to be made to Mr. A. Leon, presumably Emanuel's successor as Secretary".

The phrase

"..the Jewish Year Book indicates that the Synagogue was established in 1790 when (it is said) two brothers, Philip and Isaac Bright, settled there." seems to indicate that Horatio's father and brother were one of the first Jews to settle in Sheffield.

There is also another "Bright"connection that may be of interest. I believe that AUGUSTUS BRIGHT mentioned in the book by Douglas Lamb is the father of DORA ESTELLA BRIGHT [married name Knatchbull],  (1862–1951). Sophie Fuller in the article sourced below that DORA was

" composer and pianist, was born on 16 August 1862 at 375 Glossop Road, Ecclesall Bierlow, Yorkshire, the daughter of a merchant's clerk, Augustus Bright, and his wife, Katherine Coveney Pitt. In February 1881 she entered the Royal Academy of Music, where she studied piano and composition and won many important prizes, including in 1888 the first Charles Lucas prize for composition to be awarded to a woman. During her student years Bright gave many public performances as a pianist, often of her own works. Among these were Variations on an Original Theme of Sir G. A. Macfarren, for two pianos (1888; published, 1894), and her first piano concerto, a fluent and attractive work, which she performed in 1888 at a Royal Academy concert in St James's Hall and at the Covent Garden Promenade Concerts. Further performances of this work followed in 1889 and 1891. The score is one of the few manuscripts by Bright to survive.

In 1889, already established as a successful pianist and composer, Bright left the Royal Academy. In that year she started an annual series of piano recitals and chamber concerts which became widely acknowledged for their adventurous programming of new British music. Her own songs, piano pieces, and chamber works were being published by such firms as Ashdown, Elkin, Novello, and Stanley Lucas, Weber & Co. She also wrote a considerable amount of orchestral music, including a fantasia for piano and orchestra, which she performed in May 1892 at the notoriously conservative and prestigious Philharmonic Society. This was the first orchestral work by a woman to be played by the society since the performance of Maria Milanollo's violin concerto in 1845.

On 22 March 1892 Bright married the landowner and Crimean veteran Captain Wyndham Knatchbull. After her marriage she curtailed her performing career somewhat but continued to compose, and she established an amateur dramatic and operatic society at her home at Babington, near Bath, in Somerset. Bright's involvement with theatrical music can be dated from 1893, when she wrote the incidental music for Seymour Hicks and Laurence Irving's Uncle Silas at the Shaftesbury Theatre in London. In the first decade of the twentieth century she established a fruitful artistic relationship with the dancer Adeline Genée, who had danced the title role in the first professional performance of Bright's ballet The Dryad in 1907 and for whom Bright composed several ballets, among then La camargo (1912) and A Dancer's Adventure (1915). She also took further composition lessons with Maurice Moszkowski in Paris, and it was probably while there that she composed her Variations for piano and orchestra (1910). Other orchestral works from the early twentieth century include a Concertstück for six drums and orchestra (1915?) and a Suite bretonne for flute and orchestra (1917).

After the First World War records of performances or publications by Bright became much less frequent. She appears to have turned instead to music journalism, and in the 1940s she worked as the radio critic for Musical Opinion. Her reviews of the BBC's output are deeply critical of most contemporary music. Bright was a dynamic and charismatic musician, widely acclaimed as a leading pianist and composer in the 1880s and 1890s. Letters written by her close friend and fellow Royal Academy student Ethel Boyce depict a fun-loving woman who loved the opera and giving parties, including one where her appearance as Carmen in a short red dress was regarded as ‘rather too daring’. Despite her earlier championing of new music, by the end of her life she was unable to appreciate radical developments in the musical world and her own pioneering contributions, as both pianist and composer, were almost entirely forgotten. She died of cerebral thrombosis on 16 November 1951 at her home in Babington".
 

Sources

"Crookes Revisited" compiled by the Crookes Local History Group

The Scotsman newspaper  - Wednesday 7th February 1906 - Monday 23rd April 1906

The Times - Tuesday 1st March 1960 

Lest We Forget - Douglas Lamb

S. Fuller, ‘Women composers during the British musical renaissance, 1880–1918’, PhD diss., U. Lond., 1998 · S. Fuller, ‘Dora Bright’, The Pandora guide to women composers: Britain and the United States, 1629 – present (1994)
 

Deane Road Cemetery in Liverpool

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This page was last updated on 24/04/08 13:12